The increasing popularity of using pictures and video to share on social media is driving a huge trend for using moving images to tell the brand story.
Speaking at an event in June this year, Facebook’s Nicola Mendelsohn endorsed this trend and said she would put money on Facebook “becoming all video over the next five years.”
No wonder clients want videos – lots of them.
Consider these stats:
- Facebook grew to 8 billion average daily video views from 500 million users in Q3 2015. The jump from just 4 billion video views per day in Q2 the same year was massive.
- More than a third of Snapchat’s daily users create their own “Stories”, broadcasting photos and videos as chronological narratives, and users are watching 10 billion videos a day on the application, up from 8 billion in February this year.
- The time people now spend watching video on Instagram has increased by more than 40 percent in the last 6 months.
And that’s just a glimpse into the burgeoning popularity of video content.
Interestingly, we’re not just watching more video, we are becoming more discerning about it too.
We expect videos to offer a more immersive experience – for example, the 360-degree videos that let us move around and explore a certain space, and interact with responsive elements. The 360-degree video from Expedia, created by 180LA in partnership with Tourism Australia, lets viewers lead their own exploration of the dramatic land- and sea-scapes of Australia. Since making its debut on YouTube in June, it has already gathered more than 3 million views.
Tourism Australia makes the best use of immersive videos
We also have a totally different perception of “quality” for videos. Instagram used to be less aesthetically forgiving than Vine, but I think the line is going to be blurred.
Then comes personalization. Amazon has just started dynamic video ads as a pilot, using browsing data to decide what creative to show prospective shoppers on the fly and tailoring itto individual users’ interests.
The media, more than ever before, is becoming the message. And it is constantly evolving. Even the greatest creative will fail if it is not delivered via the latest and most relevant visual format.
The Video Revolution
There are countless forms of video content. At one end of the spectrum, you have the most practical eLearning or product videos delivering informative / educational content, while at the other you might have highly engaging, entertaining and stylized content that tells a brand story. Then there’s everything in between. All forms of video content serve a very different purpose and certainly take a very different type of talent to create and produce.
In addition, every channel demands a different format and creative approach in reaching a high level of engagement. And as every brand is likely to adopt a multi-channel strategy, we are going to see more and more services dedicated to curation. Brands will need to have a central hub overseeing the creation of videos across all touch points and bring them all together. After all, in the eyes of the consumers, the different types of video content should all be channelling the same brand.
So, what type of video content is suitable for your brand? What are the latest trends? Let’s take a look at some of my recent observations.
Long Form vs. Short Form
The common belief is that short videos, with text overlays instead of sound, are becoming more popular. They grab attention quickly and, when designed appropriately, they can produce an instant emotional response.
However, that doesn’t mean long videos won’t work. It’s all down to the creative idea. Brands now understand that if the content is engaging and rewarding to view, consumers will be willing to seek out the longer form.
Gautam Anand from YouTube APAC recently remarked on the trend for longer video ads in the region. The most popular ads from 2015 averaged more than four minutes. Four of the top ten YouTube videos were more than 5 minutes in duration. The single most viewed ad, from Malaysia Airlines for the Chinese New Year celebration, is a majestic 12 minutes long!
Sound vs. Silence
Voice-overs, when produced cheaply and unprofessionally, can wreck even the smartest and most beautiful content. Worse than being ineffective, they can actually damage the brand. In this case, silence is definitely golden.
Another reason why videos for social channels are increasingly being created without sound is that, in many cases, people are in locations where they can’t consume the audio. Savvy brands ensure their idea resonates even with people who haven’t turned their speakers on.
“Tiny Magic” Videos from Lostmyname can be fully enjoyed with no sound
As video consumers become more discerning, the bar for quality video is raised higher every day. Even the humble screen text is enjoying a renaissance. It’s not just about adding functional subtitles or uninspiring supertitles any more. Visualizations and overlays are getting more sophisticated all the time, raising consumer expectations, and therefore requiring us to plan ahead, to include them as part of the storytelling rather than an afterthought.
Local vs. Global
Can video content really go global? Just because you can (technologically speaking), it doesn’t mean to say you should.
If we know how crucial it is to draw emotional responses from consumers, we know that we have to reach them not just locally, but somehow personally. Does anyone really still believe this can be achieved with one version of one video that has not been even adapted or localized?
Inevitably, global brands do have finite resources, so it can be hard to create different content for every platform. Not to mention tailor-make it for each market with its different language and culture.
The key is to think global from day one – to take a brand’s core assets from the beginning and consider how the local audience will consume them. This will allow you to think about how to tailor your content for different platforms, and how certain assets can be shared for global releases.
Localization of video content has come a long way from the days when subtitling or dubbing were the marks of a successful international brand. As an example of just how far, take Coca Cola, who recently launched Coke TV in the UK and Ireland. Instead of globally developed TV ad campaigns featuring global celebrities, the channel is aiming to target young local audiences via YouTube. Fronted by two YouTubers, Dodie and Manny, each episode will be based around the themes of gaming, sport and music. The appeal is obviously very local (or at most regional). It will be interesting to see if Coke TV rolls this tactic out globally.
One thing is certain – for video content to go global, pre-production and planning are essential. Great videos, like any other content, demand the time-honored ingredients of success: a deep understanding of the consumer, superlative storytelling, and inspirational creative work. If you can combine that to deliver stories to people in each market in a new, exciting, and locally relevant way, then you will have won them – and quite possibly won the world.